ARTISTS FOR CONSERVATION: INTERNATIONAL EXHIBIT OF NATURE IN ART
March 13, 2021 - May 23, 2021
Leap, dash or soar with us into a world of vibrant color, meticulous precision and artistic passion for animal conservation. Artists for Conservation International Exhibit of Nature in Art features 60 paintings and sculptures that awaken our responsibility to conserve the diversity and wonder of our natural world.
Paintings and sculptures tell stories of natural diversity that is being lost and human factors affecting it. Art can play a critical role in informing and emotionally connecting the public to wildlife and driving a change for the better.
Jacquie Vaux, Eyes of a Persian Leopard, 2020, watercolor
Blake Little, Jerry Hubbard, Burbank, California, 1989
Blake Little: Photographs from the Gay Rodeo
September 5, 2020 – February 14, 2021
Blake Little: Photographs from the Gay Rodeo, explores the diverse and complex nature of individual and community identity in Western rural culture. Taken between 1988 and 1992 at events from Oklahoma to California, the collected body of images combines the action of riding, roping and chute dogging with intimate views into the lives of rodeo participants, examining themes of competition and community and inviting an expansive redefinition of cowboy identities.
Spirit Lines: Helen Hardin Etchings
December 21, 2019 – March 1, 2020
The colorful copper plate etchings of Santa Clara Pueblo artist Helen Hardin (1943-1984) celebrate her Native heritage as well as modern interpretations and techniques. Hardin’s art is featured alongside paintings by her mother, Pablita Velarde, and sculptures by contemporary Santa Clara Pueblo artist Tammy Garcia.
Helen Hardin, Mimbres Kikipelli, 1984
Karen Hackenberg, Fossil Feud, 2016
Environmental Impact II
August 24, 2019 – December 1, 2019
Florida Shines On: PARC Artists
The Inspired Artist Studios @ PARC is a career advancement initiative for artists of all ages with intellectual and developmental disabilities wishing to participate in Florida’s thriving creative industry. The James Museum proudly supports PARC’s artists with this traveling exhibition.
Lisa T., A Day at the Park
Edward Curtis, An Oasis in the Badlands – Sioux, 1905, platinum print
The Cultural Connections of Edward S. Curtis
April 6, 2019 – July 21, 2019
In the first decades of the 20th century, American photographer Edward S. Curtis traveled the country to document “vanishing” Native American cultures with his cameras, producing thousands of images. Expressive portraits and scenes from daily life captured a humanity and a romantic view that appealed to the Anglo-American public of the day. His respect for Native people was ahead of his time, and the relationships he nurtured allowed for information gathering that would otherwise have been lost to history. Step back in time to explore tribal traditions and early photographic processes with premiere images on loan from the Robb and Susan Hough collection.
James Michaels: An American Pop Life
November 17, 2018 – March 3, 2019
Inspired by popular culture, childhood memories, and life experiences, Michaels’ colorful canvases are visually bold and boldly personal. Included in his works are art history references alongside depictions of classic toys and cartoons, showing his range of contrasting influences. This one-man exhibition showcases Michaels’ ability and vision to work in a variety of styles over his decades-long career.
James Michaels, True Romance, 1996
John Plishka, Coil
Society of Animal Artists: Art and the Animal
July 28, 2018 – October 23, 2018
Our inaugural exhibition was organized in collaboration with The Society of Animal Artists (SAA). SAA is devoted to promoting excellence in the artistic portrayal of the creatures sharing our planet, and to the education of the public through art exhibitions, seminars, and demonstrations. This juried exhibition featured 125 sculptures and paintings by artists from around the world.
Black Artists on Racism & Resilience
June 19, 2021 – August 29, 2021
Presented by the Dr. Carter G. Woodson African American Museum, REVERBERATIONS shares artwork from emerging and established Black artists who live and work in Tampa Bay and across the Southeastern United States. Through each artist’s own perspective, this exhibition will challenge viewers with stories of structural racism and oppression, as well as celebrate hope and resilience.
Aaron F. Henderson, 400 Years, 2019, gouache on paper
Karen Bondarchuk, Untitled, c. 2014 (detail)
ERGO SUM: A CROW A DAY
June 19, 2021 - September 6, 2021
In 2014, Canadian-born artist Karen Bondarchuk set out to mark the passing time that her mother – diagnosed with dementia in 2010 – no longer could. For 365 days, she produced a crow a day on a small hand-cut panel, remembering her mother as she once was and grieving her loss. The resulting body of work explores communication and an artist’s relationship to the world; it resonates for its depth, beauty, and whimsy.
Thank you to our Presenting Sponsor: Bayfront Health St. Petersburg & Gold Patron: USF Health Byrd Alzheimer’s Center and Research Institute.
This exhibition is organized by the Leigh Yawkey Woodson Art Museum, Wausau, WI.
October 2, 2021 - January 9, 2022
Warhol’s West explores Pop artist Andy Warhol’s fascination with the American West. Developed by The Booth Western Art Museum in Cartersville, Ga., the exhibition presents a wide range of Western imagery and more by Warhol, including his last major suite Cowboys and Indians (1986). Famous faces in the series include Geronimo, Annie Oakley, Sitting Bull, and Theodore Roosevelt.
Warhol’s work in the Western genre is recognizable, daring, inspirational and sometimes confrontational. This exhibition furthers our understanding of how the American West infiltrates the public’s imagination through contemporary art and popular culture.
Warhol’s West was organized by Booth Western Art Museum, Cartersville, GA, and the Cochran Collection, LaGrange, GA.
Away from Home:
American Indian Boarding School Stories
January 28, 2022 - March 16, 2022
The exhibition Away from Home: American Indian Boarding School Stories explores off-reservation boarding schools in its kaleidoscope of voices. Visitors will explore compelling photographs, artwork, interviews, interactive timelines, and immersive environments. Stories of tragedy and familial love and friendships intersect. Experiences of gaining things useful and beautiful out of education, despite a formidable, fifty-year agenda that mostly maligned Native American capabilities, call us closer; each trial, each turning of power seeded in human survival, strengthening Indigenous identity.
This exhibition is made possible by NEH on the Road, a special initiative of the National Endowment for the Humanities. It was adapted from the permanent exhibition, Away from Home: American Indian Boarding School Stories, organized by the Heard Museum in Phoenix, Arizona.
Sioux children on their first day at school, 1897; photograph, variable size; Courtesy of Library of Congress
Ansel Adams, Mt. Williamson, The Sierra Nevada, From Manzanar, California, 1944, gelatin silver print
Ansel Adams: The Masterworks
Clyde Butcher: America the Beautiful
April 30, 2022 - June 31, 2022
American photographer Ansel Easton Adams (1902-1984) is most known for his black and white images of the American West, particularly Yosemite National Park. Over the course of his career, Adams sought to elevate photography to fine art – comparable to painting, sculpture and music.
Clyde Butcher (b.1942) has made it his mission to photograph and document wild and natural places across America for the last 50 years. He grew up in California and later relocated to Florida, finding peace and his life’s mission within the Everglades.
Black Pioneers: Legacy in the American West
September 3, 2022 - January 8, 2023
This exhibition, the first of its kind, explores the path of Black history in
the West with a timeline of original pictorial quilts. The timeline begins in
1528, with Esteban’s dramatic story, which marks the arrival of Africans
in the American West, and continues through the Civil Rights Movement.
The exhibition dispels the myth that Black people in the old West were
mostly cowboys, and shows rich diversity in their occupations and
achievements in society, religion, education, and the arts. Choosing quilts
as the visual medium for this exhibition accentuates the intersections of
African Americans in the Western Frontier while at once informing others
about the art form and its important role in African American history. This
exhibition is organized by The James Museum of Western and Wildlife
Art and Dr. Carolyn Mazloomi, curator, historian and artist. The quilts
are currently being created by the Women of Color Quilters Network
especially for this exhibition.
Carolyn Crump, Col. Charles Young